Don’t delay.
Sign up for July plein-air workshops at Iona Beach Regional Park.
Space Limited. Landscape Painting opportunities vast.
Please see Summer Plein-air Workshop post for more information or click on painting above.
artist • painter • teacher
Don’t delay.
Sign up for July plein-air workshops at Iona Beach Regional Park.
Space Limited. Landscape Painting opportunities vast.
Please see Summer Plein-air Workshop post for more information or click on painting above.
Posted in Plein-air Posts, Summer Workshops, Tuition Posts.
– June 30, 2009
It is almost summer and a great time for visiting your local market to get some interesting fruit and vegetables to paint. It is always advisable to use a Alla Prima technique when painting objects such a fruit, veggies and flowers, as their life-span is short. Depending on the technique and mediums used, sometimes you have to learn to improvise when painting a still-life.
While painting “Temperature” I decided in advance to build up the surface quality of the fruit over a period of time to achieve the waxy and fleshy texture of the mangoes. I used stand oil to get the viscosity of the paint just right. Stand oil takes longer to dry than linseed oil, but gives a wonderful glass like sheen to the paint while adding to a thicker look. Using a bit of cold wax medium in selective areas added to the difference of surface from mat to sheen, which on close inspection these mangoes have.
The tablecloth was painted in a radically different way, more impressionistic, dry and dense. This added to the optical illusion of the sheen on the mangoes and wooden plate. When replacing objects because they change color and start to decay, try not to “chase” the shape. Keep the initial shape and only adjust the color, tones and surface appearance.
The people at the market must have thought that I was nuts and really hungry because I had to look at each mango carefully to try and get a similar replacement every other day but I sure had some great mango smoothies while painting this still life.
Posted in Studio Posts, Tuition Posts.
– June 18, 2009
Join us for outdoor painting this summer.
Outdoor painting requires a painter to render in shorthand the essence of a scene. It requires a set of skills of acute observation, simplification, technical mastery, maturity and intellect, to respond not just aesthetically but emotionally and to expand on our visual and felt understanding and experience of the natural world around us.
Come out this summer and learn how to apply sound oil painting techniques while enjoying the natural splendor of one of Vancouver’s hidden secrets, Iona Beach Regional Park. From a selection of marshland to ocean views to paint, sign up for these two day, intensive small group workshops.
All skill levels will be catered to and rates are very affordable. Please contact me to secure your spot.
Posted in Plein-air Posts, Summer Workshops, Tuition Posts.
– June 17, 2009
Just installed the Wordbook plugin for Facebook. My posts should show up in my Facebook feed (fingers crossed).
Posted in Uncategorized.
– June 11, 2009
For further information on these prints by renowned Canadian artist Jack Shadbolt please contact me.
Posted in General Posts.
– June 10, 2009
Posted in Tuition Posts.
– June 8, 2009
Posted in Studio Posts.
– June 7, 2009
Posted in Plein-air Posts.
– June 7, 2009
Spring Orchard.
Spring is a mix of patience and speed. Patience, to wait for the first blossoms, and speed, for quick execution, as these colors last only a few days.
Spring Orchard, is one of those rare scenes that are becoming harder for the urban painter to access, as natural occurring open fields become harder to find. Most trees in bloom, are residential in nature and placement. The choice of rural areas to paint in are more appealing.
Leaving the city for a few hours is always a good thing.
Posted in Plein-air Posts.
– May 20, 2009
© 2009 Liza Visagie All Rights Reserved